English National Ballet’s artistic director and lead principal dancer Tamara Rojo talks to Georgina Butler about why the company’s new double bill has the potential to change your life…
Tamara Rojo is in no doubt that we need the arts in our lives – that is why she has devoted herself to the business of ballet dancing.
The Spanish ballerina danced with Scottish Ballet and English National Ballet early in her career, before moving to The Royal Ballet for twelve glittering years. Dedicated, ambitious and articulate, Tamara dreamt of not only dancing with a world-class company but also running one. This dream came true when she was appointed in the dual role of artistic director and lead principal dancer of English National Ballet in 2012. Upon starting the top management job, she initiated a rebranding process to sharpen the company’s identity as a distinctive troupe of incredibly versatile ballet dancers with something to say.
Five years later and the touring company, which endeavours to bring ballet of the highest quality to the widest possible audience, has found lots to say under Tamara’s leadership. It has developed collaborative relationships with exciting choreographers; confidently crossed into the realms of contemporary dance; staged new versions of old classics and made history as the first ever ballet company to perform on the Pyramid Stage at Glastonbury.
English National Ballet returns to Milton Keynes Theatre with a brand new double bill from Tuesday – and Tamara will perform a lead principal role. Unsurprisingly, keeping on top of her duties as artistic director and the demands made on her as a dancer keep Tamara extremely busy.
Happily, she still managed to find time for a chat…
English National Ballet is to make a much-anticipated return to Milton Keynes Theatre with an exciting new double bill next week.
When the dancers tour to the venue for their annual autumn visit, they will perform Sir Kenneth MacMillan’s masterpiece Song of the Earth alongside Frank Andersen’s faithful recreation of La Sylphide. Both works are recent additions to English National Ballet’s repertoire so audiences in Milton Keynes will be among the very first dance lovers to see them performed by the company.
Happy World Ballet Day!
Today, Thursday 5th October 2017, is World Ballet Day.
As someone who has never known life without ballet, I would be lost without it. Ballet class has always been my favourite place to be. Moreover, my professional life revolves around watching ballet, learning about ballet, writing about ballet and teaching ballet. Essentially, most of my days are ballet days!
Still, today is an extra special day. It is all about celebrating what makes ballet important to us, sharing our love of ballet with those who have the same passion and encouraging everyone else to discover ballet for themselves.
This year’s World Ballet Day is the fourth edition and the format of the international online event remains the same. Five of the world’s top ballet companies are livestreaming footage from their studios today to give us an insight into the day-to-day athleticism and dedication that life as a professional ballet dancer requires. Throughout an incredible 22 hours of live filming, viewers will see some of the most talented dancers on the planet take their daily ballet class, rehearse for upcoming performances and work with esteemed choreographers. We’ll also be treated to interviews with company directors, dancers and teachers – and be urged to get involved in discussions ourselves by joining the ballet buzz on social media.
If you thought it was all just “hip hop”, think again…!
Do terms like “b-boy” and “cypher” leave you flummoxed? Are you starting to feel like you’ve lost your swag and are getting left behind as your favourite venues embrace a dizzying array of dance productions featuring new styles? Are you now wondering what “swag” is and whether you ever had any?
Relax, discovering the ins and outs of new dance forms is so much fun. Honestly, don’t worry, I’ve got all the moves covered so sit back and read on for a short and sweet guide to Street Dance lingo!
The Soweto Skeleton Movers (Photo by Paul Hampartsoumian)
You can’t help but be charmed by clever Christopher, the protagonist of multi award-winning National Theatre production The Curious Incident of the Dog in the Night-Time.
Christopher finds people difficult. He is irked by idioms, muddled by metaphors and baffled by body language. Ultimately, he is catastrophically confused by the chaos and uncertainty that unfamiliar people have the potential to bring to his painstakingly structured world. Consequently, fifteen-year-old Christopher avoids strangers and has never left his quiet cul-de-sac in Swindon unaccompanied.
How brave, then, for this mathematically gifted teenager with behavioural problems to adopt the role of detective in a bid to solve a curious incident involving the murder of his neighbour’s dog.