Today is World Ballet Day, the one day of the year that balletomanes and ballet newbies alike are urged to press pause on their everyday activities and watch ballet!

American writer and dance critic Edwin Denby (4th February 1903 – 12th July 1983) is attributed to the quote: “You don’t have to know about ballet to enjoy it, all you have to do is look at it” and I fully support this sentiment. Simply witnessing ballet dancers do what they do best is enough to inspire admiration for ballet’s athleticism, aesthetics, artistry and amazing history and culture.

 

 

♥ Happy World Ballet Day ♥

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New English Ballet Theatre is returning to The Peacock Theatre in London’s West End this week with a brand new double bill, The Four Seasons / Remembrance.

As a modern ballet company, New English Ballet Theatre makes a heroic effort to drive the art of classical ballet forward through continual reinvention. It proudly promotes the talents of the next generation of exceptional artists – not only showcasing fledgling dancers but also emerging choreographers, musicians, designers and visual artists – by giving them paid employment in a profession they love.

As a result, the critically acclaimed neo-classical troupe – which was founded by its visionary artistic director, Karen Pilkington-Miksa, in 2011 – is developing a reputation for being one of Britain’s most exciting young ballet companies.

This autumn’s double bill promises to be a visual and musical spectacle of passion, hope and remembrance.

 

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Today is International Dance Day, a day to celebrate the power and pleasure of dancing.

For as long as I can remember, dancing has been my escape, my entertainment and my education. I was fortunate to be taken to ballet classes as a toddler and was always the child that didn’t want to go home after the final curtsey. Ballet, tap, modern, jazz, contemporary… I lived for the next dancing opportunity while I was growing up and probably felt most alive when I was in class or on stage.

I still feel more at home in a dance studio than anywhere else. Whether I am taking class, practising by myself, or teaching, everything else is forgotten once I am at the barre or flying around the space. In fact, teaching helps me delight in dancing even more as it is all about sharing ideas, experiences and enjoyment with others in the hope that they will love to dance too!

 

Georgina Butler in the studio 4
Georgina Butler in the studio 7

 

 

“… we must always remember to dance a little every day.”

 – Ohad Naharin, Artistic Director of Batsheva Dance Company.

 

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Fans of fantasy and magic can look forward to diving into an immersive new production when Northern Ballet presents The Little Mermaid at Milton Keynes Theatre this month.

The Leeds-based touring company is known for turning beloved stories into full-scale narrative ballets, using the expressive power of dance to meaningfully connect with audiences.

Tapping into the current zeitgeist for all things enchanted (fantastical creatures like unicorns and mermaids have surely never been so popular), the troupe of classically-trained dancers is currently making a splash bringing Hans Christian Andersen’s aquatic fairy-tale to life.

 

 

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Matthew Bourne’s New Adventures brings his wartime revival of Cinderella to the new city this month.

Dance devotees can look forward to a dark reimagining of a classic fairy tale when the admired choreographer’s popular company makes its annual visit to Milton Keynes Theatre.

Set in London during the Second World War, Bourne’s radical retelling does not involve a prince, a fairy godmother or a royal ball. Instead, his evocative dance theatre production sees a wounded RAF pilot enjoy a chance encounter with a timid young woman. The couple spend just enough time together to fall head over heels in love before being parted by the horrors of the Blitz.

 

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