‘Social Disdancing’ is just one of the many unusual expressions that have been added to our everyday vocabulary in recent weeks. Since efforts were intensified to curb the global spread of coronavirus (COVID-19), we have become familiar with countries being on lockdown, adhering to social distancing, and complying with requests to self-isolate or quarantine. The reality of a pandemic and the critical need for personal protective equipment (PPE) is receiving unparalleled attention during the unprecedented outbreak.

This is new terminology for an unnerving new world.

Life under lockdown is predominantly characterised by the suspension of our normal routines, enforced by government guidance to “stay at home and away from others” (also known as social or physical distancing). It is a time of immense uncertainty for everybody and the repercussions on physical health, mental health, incomes, education, careers – indeed, the socio-economic status of entire countries – are undeniable.

Under normal circumstances, dance is part of who I am. I teach ballet students. I write about dance performances. I take class, thriving in a studio with like-minded individuals and time to dedicate to myself.

Whenever any aspect of my life feels uncertain, dance becomes increasingly important to me.

Under the current abnormal circumstances, schools, studios, gyms, theatres and countless other venues and businesses are closed indefinitely. But dance is still part of who I am. And times are categorically uncertain. So, I’m dancing through this crisis. At home. And I’m not alone because the wonderful world of dance has earnestly embraced social disdancing.

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