REVIEW: English National Ballet’s ‘Swan Lake’ – Milton Keynes Theatre, November 2014

 

Swan Lake is the epitome of a bucket-list ballet and the English National Ballet production currently in residence at Milton Keynes Theatre is simply stunning.

I must confess to a great affinity for the perennially popular Swan Lake having learned a lot of the repertoire in workshops as a youngster; performed many of the roles in school shows and compulsively viewed countless versions in theatres, on television and online. The swell of the overture is enough to transfix me – listening to Tchaikovsky’s haunting score soothed this scholar during many years of revision throughout school and university. Together, the combination of story, music, choreography and staging makes the ballet a truly touching masterpiece.

Of course, possessing such zeal and knowledge means that with each cumulative performance of Swan Lake I am privileged enough to see, the potential to be disappointed grows. Fortunately, English National Ballet’s touring production had me enraptured on opening night. In fact, I swanned out of the auditorium appropriately moved by such an emotional evening and in awe of the incredible talent within the Company.

 

English National Ballet's Swan Lake. The Swans corps de ballet. (Photography by ASH).

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