REVIEW: ‘Cats’ – Milton Keynes Theatre, October 2016

 

Captivating choreography and charming characterisation ensures memories of the fabulous felines in Cats stay with audiences long after the applause subsides.

Prowling through the auditorium at Milton Keynes Theatre all this week, the moggies in Andrew Lloyd Webber’s record-breaking musical offer us an intriguing insight into the inner world of cats. Known as the Jellicle Cats, the members of this kitty clan cavort around a junkyard playground under the moonlight. They stealthily slink past their human visitors before darting over the darkened landscape of rubbish. Wary and suspicious – but clearly curious too – the Jellicles proudly gather together to open our eyes to their customs.

The cats reveal that tonight is the night of the Jellicle Ball. This one special night of the year is when the tribe reunites to celebrate who they are. Mischievous or mysterious. Domesticated or defiant. Sensual or magical. Cheeky cat burglars; fat cats; ginger cats; tabby cats; tom cats; coquettish kittens – every cat counts. Granted a front row seat at the Jellicle Ball, we are introduced to each of the pussycats in turn.

 

Cats. The cast of Andrew Lloyd Webber's record-breaking musical, Cats.

 

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NEWS: Musical moggies on the prowl as beloved show ‘Cats’ arrives to charm audiences – Milton Keynes Theatre, October 2016

 

Feline focused smash hit musical Cats returns to Milton Keynes Theatre from Monday.

Back on tour after sell-out success at the London Palladium, the record-breaking show is the outstanding work of composer Andrew Lloyd Webber, director Trevor Nunn, designer John Napier and director-choreographer Gillian Lynne.

These talented creatives blew theatregoers away with their purr-fect combination of innovative dance, beautiful music and charming verse when the production made its West End debut in 1981.

 

Cats the musical is the outstanding work of composer Andrew Lloyd Webber, director Trevor Nunn, designer John Napier and director-choreographer Gillian Lynne.

 

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INTERVIEW with Dame Gillian Lynne, October 2016

 

Acclaimed choreographer and theatre/television director Dame Gillian Lynne is a legendary figure in the arts, with a career spanning more than 70 years.
Her achievements include being a ballerina with Sadler’s Wells Ballet (now The Royal Ballet), performing centre stage as the London Palladium’s lead dancer and choreographing some of the world’s most iconic musicals.
Georgina Butler made the most of an opportunity to converse with this multi award-winning dance superstar…

 

Gillian Lynne is a household name – a VIP in the world of dance and theatre. Her CV is packed with soloist roles as a ballerina; guest appearances as a dancer on the stage and on television; and countless productions on which she has worked her magic as an internationally sought-after director and choreographer.

Joining the Ballet Guild in 1942, aged 16, marked the beginning of Gillian’s career as a professional dancer. By chance, Ninette de Valois, the founder of Sadler’s Wells Ballet (which later became The Royal Ballet), saw Gillian dancing as Odette in Ballet Guild’s production of Swan Lake and immediately decided she wanted the talented young artist in her company. When Gillian accepted this invitation, she was the first dancer to join Sadler’s Wells Ballet who had not studied at its prestigious feeder school (now The Royal Ballet School). Possessing a gift for dancing; a desire to follow her dreams; and a tenacious work ethic, Gillian flourished as a ballerina and was later an instant success at the London Palladium and in subsequent roles in the West End.

Perhaps most famous for her ground-breaking choreography in Cats and The Phantom of the Opera (both with Andrew Lloyd Webber), Gillian has choreographed or directed over 60 productions in the West End and on Broadway. These productions have won numerous accolades and Gillian has been presented with multiple awards, including two Olivier Awards – one an Award for Outstanding Achievement for her choreography of Cats in 1981, the other a Lifetime Achievement ‘Special’ Olivier presented to her in 2013.

 

Dame Gillian Lynne. Photograph by Greg Heisler, April 2009.

 

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REVIEW: ‘Cats’ – Milton Keynes Theatre, June 2013

 

CATS IS A SMASH-HIT MUSICAL OF PURE PURRFECTION

 

Miaow! The claws were out when it was announced that record-breaking musical Cats would be stopping off at Milton Keynes Theatre on tour, with fans clamouring to book for the show. Fortunately, I got my paws on a ticket and – once seated in the auditorium – felt like the proverbial cat that got the cream.

This show combines words, music, dance, costumes and design for an evening of pure purrfection. Composed by musical theatre impresario Andrew Lloyd Webber, Cats is based on ‘Old Possum’s Book of Practical Cats’, a collection of light verse by T.S. Eliot (published in 1939). The show first opened in the West End in 1981 and enjoyed a phenomenal twenty-one year run (with a similarly impressive eighteen years on Broadway), smashing records and winning awards.

This remarkable musical tells the story of a tribe of felines, known as the ‘Jellicles’. We join them on the night of ‘the Jellicle choice’ – deciding which cat will rise to the Heaviside Layer to be reborn. The set throughout is a junkyard – a playground for the tribe. Instantly recognisable items spill over the side of the stage, including tin cans (Heinz Macaroni, Princes Peaches, Princes Prunes, Go Cat) and egg boxes.

 

 

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REVIEW: ‘The Phantom of the Opera’ – Milton Keynes Theatre, October 2012

 

The Phantom of the Opera is here in the new city this week, filling the auditorium of Milton Keynes Theatre with a chilling presence!

The West-End blockbuster is now into its 26th year and Cameron Mackintosh’s new production of Andrew Lloyd Webber’s phenomenal musical was especially created for the 25th anniversary national tour.

As I had hoped, last night’s performance was spine-tingling. Indeed, from the moment the glittering chandelier was unveiled just above our heads, the audience knew that a spectacular evening of entertainment lay ahead.

 

The Phantom of the Opera.

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