NEWS: BalletBoyz to perform new double bill Them/Us at Milton Keynes Theatre – September 2019

 

See the current crop of performers in all-male dance troupe BalletBoyz at their powerful best when they present inventive double bill Them/Us.

This critically acclaimed company is internationally renowned for taking an athletic and adaptable approach towards dance. Always charismatic, and sometimes quite cheeky, BalletBoyz uses ballet technique as a foundation for developing dynamic and accessible dance productions.

The ensemble is dancing at Milton Keynes Theatre for one night only this month. Theatregoers have plenty to look forward to as the boys will showcase their aptitude as budding choreographers alongside their versatility as expressive, energetic dancers in Them/Us.

 

BalletBoyz. Them/Us.

 

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REVIEW: English National Ballet’s ‘Cinderella’ in-the-round – Royal Albert Hall, June 2019

 

English National Ballet’s Cinderella in-the-round reimagines the rags-to-riches story as a stunning fairy tale for our times.

Inspired by the Brothers Grimm version of Cinderella, choreographer Christopher Wheeldon develops a quirky narrative centred around humanity and nature. In short, Cinderella’s compassion, creativity and courage – combined with a little mystical assistance from her dearly departed mother – help her make her own magic.

Wheeldon devised his imaginative interpretation in 2012, as a co-production between Dutch National Ballet and San Francisco Ballet. He has revisited it for English National Ballet, restaging it as Cinderella in-the-round at the Royal Albert Hall.

 

Cinderella in-the-round campaign photography of Emma Hawes and Francesco Gabriele Frola by Jason Bell.

 

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REVIEW: The Royal Ballet’s ‘Medusa’ mixed bill (‘Within the Golden Hour / Medusa / Flight Pattern’) – Live Cinema Season, May 2019

 

The Royal Ballet confidently dances distinctive works from three leading contemporary choreographers in the Medusa mixed bill: Within the Golden Hour / Medusa / Flight Pattern.

 

Medusa is a brand new narrative work from acclaimed Belgian choreographer Sidi Larbi Cherkaoui. Created on The Royal Ballet, with Natalia Osipova in the title role, it is his first commission for the Company.

Cherkaoui draws on his training in ballet, hip-hop, tap, jazz and flamenco to devise dance for an impressive range of performers. His eclectic style means he is in demand with major ballet companies and major pop stars alike. He is artistic director of Royal Ballet of Flanders; artistic director of his own contemporary dance company, Eastman; and an associate artist at Sadler’s Wells.

Within the Golden Hour, choreographed by Christopher Wheeldon, is an abstract ballet devised for San Francisco Ballet in 2008 and first performed by The Royal Ballet in 2006.

Wheeldon trained at The Royal Ballet School before joining The Royal Ballet in 1991. He later moved to New York City Ballet where he was promoted to soloist before becoming the Company’s first resident choreographer. Wheeldon, who was made an OBE in 2016, is now artistic associate of The Royal Ballet and regularly choreographs for leading international companies.

Flight Pattern was Canadian choreographer Crystal Pite’s first work for The Royal Ballet. When this large-scale ensemble piece exploring the plight of refugees premiered in 2017, it was the Company’s first new mainstage work by a woman in eighteen years.

Pite is a former member of Ballet British Columbia and William Forsythe’s Frankfurt Ballet. Her professional choreographic debut was in 1990, at Ballet British Columbia, and she has since created more than fifty works. Pite is the recipient of three Olivier awards, including one in 2017 for Flight Pattern.

 

Broadcasting performances such as the Medusa mixed bill in cinemas makes it possible for audiences outside London to experience exceptional dance. Long may the creation, and widespread consumption, of ballet continue – I love being able to pop to my local cinema to watch The Royal Ballet in action!

 

Medusa mixed bill

 

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REVIEW: Northern Ballet’s ‘Victoria’ – Milton Keynes Theatre, May 2019

 

Northern Ballet’s Victoria is an enthralling epic that intelligently and emotively chronicles Queen Victoria’s life as a monarch and mother.

Created to celebrate this year’s 200th anniversary of Queen Victoria’s birth, the ambitious two-act ballet is the impressive handiwork of acclaimed British choreographer Cathy Marston. Her spirited exploration of Victoria as a passionate woman, emblematic queen, working mother and stricken widow inventively depicts some of the most significant events in this remarkable Royal’s life.

Working alongside dramaturg Uzma Hameed, Marston has managed to condense Victoria’s lengthy reign (she spent 63 of her 81 years on the throne) into two hours of absorbing dance.

 

Northern Ballet's 'Victoria'.

 

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NEWS: Happy International Dance Day, 29th April 2019

 

The theme for International Dance Day 2019 is “Dance and Spirituality”.

When I am dancing, I am meditating. I am living in the moment: body, mind and soul uniting to make me “me”.

I have always used dance classes as an opportunity to escape day-to-day concerns and realign myself. My fondness for being productive means that I am inclined to treat myself like a machine, diligently getting things done – but no one can be industrious all the time. Dancing is the equivalent of pressing pause, switching myself off and rebooting in safe mode!

 

Georgina Butler. International Dance Day 2019. Dance and Spirituality.

 

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