Christmas at the London Coliseum means the return of English National Ballet’s Nutcracker, a festive favourite that is guaranteed to lift your spirits.
Nutcracker has been at the heart of English National Ballet’s repertoire since the Company was established in 1950. The current production, the Company’s tenth, dates from 2010. Made by then Artistic Director Wayne Eagling, with designs by Peter Farmer, this interpretation largely follows the traditional scenario but has a few unique flights of fancy mixed in too.
On Christmas Eve, young Clara and her brother Freddie enjoy a party with family and friends. Clara receives a Nutcracker doll as a present but, after a skirmish with jealous Freddie, the doll gets broken and has to be repaired by the mysterious Drosselmeyer. The party ends, the children are sent to bed and Clara has an action-packed dream in which her Nutcracker is attacked by an evil Mouse King. Departures from the traditional narrative in Eagling’s offering include the enchanting addition of a hot air balloon to whisk Clara and her Nutcracker away; horrifying giant mice invading scenes that are conventionally rodent-free; and a Puppet Theatre replacing the customary Kingdom of Sweets in Act Two.
English National Ballet’s talented dancers capture all the requisite wonder and magic of the Christmas staple. Having demonstrated in recent years that they are as adept in contemporary choreography from the likes of Akram Khan as they are in the classics, they assuredly keep this familiar ballet feeling fresh.
‘Tis the season to be silly and this year’s pantomime at Milton Keynes Theatre is a cheerfully chaotic take on the famous British legend Robin Hood.
In time-honoured panto tradition, the action-packed show features colourful costumes and sets, reworked pop songs, men dressed (barely!) as women, slapstick comedy and jokes that push the boundaries of innuendo.
Furthermore, in a more forward-thinking fashion to complement the old-school theatrical magic, Qdos Entertainment also incorporates an innovative 3D cinema interlude and uses thrilling technology to add a life-sized dinosaur to the mix. Madness? Yes, but this is pantomime so anything can happen!
Magical dance theatre production The Snowman is a winsome winter warmer of a show that will banish those troublesome January blues.
The Birmingham Repertory Theatre performance proved to be the perfect mid-week pick-me-up for audience members of all ages on press night at Milton Keynes Theatre. Effortlessly combining a timeless tale with visual spectacle, The Snowman whisks transfixed theatregoers off to a place of nostalgia, innocence and satisfyingly snowy Christmases.
The wide-eyed wonder of a child enjoying the festive season is captured with grace and good-humour in this charming interpretation of Raymond Briggs’ beloved children’s picture book, published in 1978, and the subsequent 1982 animated film.
Waking up on Christmas Eve, a young boy is delighted to discover that it is snowing. He eagerly rushes outside, gets acquainted with the white stuff and sets to work building a snowman. That evening, the anticipation of Christmas Day’s imminent arrival means the boy is more reluctant to go to bed than ever before. Still restless in the middle of the night, he sneaks downstairs and creeps outside to check up on his snowman. To his astonishment, The Snowman comes alive and the pair share a special, starry-skied adventure.
Spectacular stage show The Snowman dances into town this month
Prepare to be whisked off to a winter wonderland when heart-warming stage show The Snowman flies into Milton Keynes Theatre.
Based on the celebrated 1982 animated film, which was inspired by Raymond Briggs’ 1978 children’s book, the Birmingham Repertory Theatre production portrays the adventure a young boy enjoys when he and his snowman share a magical night of friendship, fun and flying.
The Snowman stage show is presented annually in London at The Peacock Theatre and has become a much-loved festive tradition for audiences. The five-week Christmas 2017 run marked the production’s 20th year at the West End venue, making it the longest-running Christmas show in English theatre history.
Panto can be predictable but there are some unexpected highlights in the gloriously excessive production of Cinderella at Milton Keynes Theatre.
Pitched as “The Fairy Godmother of all Pantomimes” this extravaganza certainly conjures up enough seasonal silliness and sparkly spectacle to entertain theatregoers of all ages.
The rags to riches tale of downtrodden Cinders and her life-changing visit to Prince Charming’s Royal Ball is being brought to the stage with no expense spared this time around. The big budget is unmistakably evident in the amazing assortment of sets, props, costumes, special effects and cameo appearances on display amidst the conventional chaos of panto.