REVIEW: The Royal Ballet’s ‘Medusa’ mixed bill (‘Within the Golden Hour / Medusa / Flight Pattern’) – Live Cinema Season, May 2019

 

The Royal Ballet confidently dances distinctive works from three leading contemporary choreographers in the Medusa mixed bill: Within the Golden Hour / Medusa / Flight Pattern.

 

Medusa is a brand new narrative work from acclaimed Belgian choreographer Sidi Larbi Cherkaoui. Created on The Royal Ballet, with Natalia Osipova in the title role, it is his first commission for the Company.

Cherkaoui draws on his training in ballet, hip-hop, tap, jazz and flamenco to devise dance for an impressive range of performers. His eclectic style means he is in demand with major ballet companies and major pop stars alike. He is artistic director of Royal Ballet of Flanders; artistic director of his own contemporary dance company, Eastman; and an associate artist at Sadler’s Wells.

Within the Golden Hour, choreographed by Christopher Wheeldon, is an abstract ballet devised for San Francisco Ballet in 2008 and first performed by The Royal Ballet in 2006.

Wheeldon trained at The Royal Ballet School before joining The Royal Ballet in 1991. He later moved to New York City Ballet where he was promoted to soloist before becoming the Company’s first resident choreographer. Wheeldon, who was made an OBE in 2016, is now artistic associate of The Royal Ballet and regularly choreographs for leading international companies.

Flight Pattern was Canadian choreographer Crystal Pite’s first work for The Royal Ballet. When this large-scale ensemble piece exploring the plight of refugees premiered in 2017, it was the Company’s first new mainstage work by a woman in eighteen years.

Pite is a former member of Ballet British Columbia and William Forsythe’s Frankfurt Ballet. Her professional choreographic debut was in 1990, at Ballet British Columbia, and she has since created more than fifty works. Pite is the recipient of three Olivier awards, including one in 2017 for Flight Pattern.

 

Broadcasting performances such as the Medusa mixed bill in cinemas makes it possible for audiences outside London to experience exceptional dance. Long may the creation, and widespread consumption, of ballet continue – I love being able to pop to my local cinema to watch The Royal Ballet in action!

 

Medusa mixed bill

 

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NEWS: Northern Ballet makes cinema debut with ‘Tortoise & the Hare’ – January 2019

 

Little ones will be dancing with excitement at the news that Northern Ballet’s Tortoise & the Hare is racing on to the big screen at cinemas nationwide this weekend.

The bite-sized ballet is being shown on Saturday as part of Northern Ballet’s first ever cinema season for children.

 

Northern Ballet in bite-sized children's ballet Tortoise & the Hare.

 

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