Today is World Ballet Day, the one day of the year that balletomanes and ballet newbies alike are urged to press pause on their everyday activities and watch ballet!

American writer and dance critic Edwin Denby (4th February 1903 – 12th July 1983) is attributed to the quote: “You don’t have to know about ballet to enjoy it, all you have to do is look at it” and I fully support this sentiment. Simply witnessing ballet dancers do what they do best is enough to inspire admiration for ballet’s athleticism, aesthetics, artistry and amazing history and culture.

 

 

♥ Happy World Ballet Day ♥

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New English Ballet Theatre’s latest neoclassical programme is a stylish double bill that combines the abstract and the historical.

The vibrant young modern ballet company prides itself on creating refreshing new works for developing dancers, thereby furthering the art form and nurturing promising artists. Indeed, Artistic Director and CEO Karen Pilkington-Miksa has been recruiting a fresh batch of dancers each year since founding New English Ballet Theatre in 2011. These dancers receive a 12-month contract which affords them training and development opportunities with exciting creatives, as well as coveted time spent dancing on tour and in the West End.

While past offerings have thrown a spotlight on emerging choreographers, The Four Seasons / Remembrance features works from established dancemakers Jenna Lee and Wayne Eagling.

 

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Today is International Dance Day, a day to celebrate the power and pleasure of dancing.

For as long as I can remember, dancing has been my escape, my entertainment and my education. I was fortunate to be taken to ballet classes as a toddler and was always the child that didn’t want to go home after the final curtsey. Ballet, tap, modern, jazz, contemporary… I lived for the next dancing opportunity while I was growing up and probably felt most alive when I was in class or on stage.

I still feel more at home in a dance studio than anywhere else. Whether I am taking class, practising by myself, or teaching, everything else is forgotten once I am at the barre or flying around the space. In fact, teaching helps me delight in dancing even more as it is all about sharing ideas, experiences and enjoyment with others in the hope that they will love to dance too!

 

 

 

“… we must always remember to dance a little every day.”

 – Ohad Naharin, Artistic Director of Batsheva Dance Company.

 

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Matthew Bourne’s radical Cinderella is a cinematic wartime romance that memorably captures the glitz in the Blitz to illuminate the power of true love.

The popular choreographer’s dance theatre troupe, New Adventures, is making its annual visit to Milton Keynes Theatre this week with a revival of the 2010 reworking of his original 1997 production. There were standing ovations on opening night, so audiences are still lapping up this fanciful tale of love and conflict.

Set in the capital during the darkest days of the Second World War, Bourne’s Cinderella sees ordinary Londoners navigating both affairs of the heart and the terror of nightly air raids.

 

 

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Matthew Bourne’s New Adventures brings his wartime revival of Cinderella to the new city this month.

Dance devotees can look forward to a dark reimagining of a classic fairy tale when the admired choreographer’s popular company makes its annual visit to Milton Keynes Theatre.

Set in London during the Second World War, Bourne’s radical retelling does not involve a prince, a fairy godmother or a royal ball. Instead, his evocative dance theatre production sees a wounded RAF pilot enjoy a chance encounter with a timid young woman. The couple spend just enough time together to fall head over heels in love before being parted by the horrors of the Blitz.

 

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