NEWS: Escape to a winter wonderland with English National Ballet’s dreamy ‘Nutcracker’ – Milton Keynes Theatre, November 2016

 

Prepare to be swept up in the magic of Christmas as English National Ballet brings its sparkling production of Nutcracker to Milton Keynes Theatre from Wednesday.

 

The dancers of English National Ballet spent last week wowing audiences at Sadler’s Wells with Akram Khan’s Giselle. Now, they are carefully rehearsing the Company’s Nutcracker – a dazzling festive favourite guaranteed to enchant family members of all ages – to ensure their usual superb technique and artistry is showcased at its very best.

Masterful Tchaikovsky’s sumptuous score, Wayne Eagling’s exuberant choreography and Peter Farmer’s exquisite designs effortlessly transport us to a frost-dusted Edwardian London in Nutcracker.

 

English National Ballet. Nutcracker. Snow covered Edwardian London scene.

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REVIEW: English National Ballet in Akram Khan’s ‘Giselle’ – Sadler’s Wells, November 2016

 

Incredible dancing. Intense storytelling. Totally immersive. English National Ballet’s new Giselle by Akram Khan is an epic dance experience. Everything about Akram Khan’s Giselle is so inspired that, after joining an elated audience in a lengthy standing ovation, I left Sadler’s Wells utterly convinced that no words will ever do this masterpiece justice.

The company, under the direction of Tamara Rojo, is intent on evolving the art of ballet. While still honouring the classical tradition (the dancers begin their Nutcracker season at Milton Keynes Theatre next week), English National Ballet is adding amazing diversity to its repertoire with fresh new works. Following the resounding success of Dust, his piece for the Lest We Forget programme, anticipation has been sky-high for Akram Khan’s Giselle.

In short, Akram Khan’s Giselle is a triumphant re-imagining of the 1841 Romantic Era ballet. All the essential themes – love, betrayal, revenge, the opposing realms of life and death – remain but Khan’s vision teases out the dark undertones that have always been there. Dragged to the surface, these elements are expressed with visceral urgency, arresting intent and harrowing sensibility.

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Akram Khan's Giselle publicity image of English National Ballet's artistic director and lead principal dancer Tamara Rojo.

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INTERVIEW with Dame Gillian Lynne, October 2016

 

Acclaimed choreographer and theatre/television director Dame Gillian Lynne is a legendary figure in the arts, with a career spanning more than 70 years.
Her achievements include being a ballerina with Sadler’s Wells Ballet (now The Royal Ballet), performing centre stage as the London Palladium’s lead dancer and choreographing some of the world’s most iconic musicals.
Georgina Butler made the most of an opportunity to converse with this multi award-winning dance superstar…

 

Gillian Lynne is a household name – a VIP in the world of dance and theatre. Her CV is packed with soloist roles as a ballerina; guest appearances as a dancer on the stage and on television; and countless productions on which she has worked her magic as an internationally sought-after director and choreographer.

Joining the Ballet Guild in 1942, aged 16, marked the beginning of Gillian’s career as a professional dancer. By chance, Ninette de Valois, the founder of Sadler’s Wells Ballet (which later became The Royal Ballet), saw Gillian dancing as Odette in Ballet Guild’s production of Swan Lake and immediately decided she wanted the talented young artist in her company. When Gillian accepted this invitation, she was the first dancer to join Sadler’s Wells Ballet who had not studied at its prestigious feeder school (now The Royal Ballet School). Possessing a gift for dancing; a desire to follow her dreams; and a tenacious work ethic, Gillian flourished as a ballerina and was later an instant success at the London Palladium and in subsequent roles in the West End.

Perhaps most famous for her ground-breaking choreography in Cats and The Phantom of the Opera (both with Andrew Lloyd Webber), Gillian has choreographed or directed over 60 productions in the West End and on Broadway. These productions have won numerous accolades and Gillian has been presented with multiple awards, including two Olivier Awards – one an Award for Outstanding Achievement for her choreography of Cats in 1981, the other a Lifetime Achievement ‘Special’ Olivier presented to her in 2013.

 

Dame Gillian Lynne. Photograph by Greg Heisler, April 2009.

 

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NEWS: World Ballet Day Live – Tuesday 4th October 2016

 

One day. Five ballet companies. Live and Online.

 

World Ballet Day LIVE, the marathon live-stream featuring exclusive behind-the-scenes access to the top ballet companies on the planet, returns on Tuesday 4th October 2016.

In my world, every day is ballet day! I fill as many of my waking hours as possible with dance writing, reviewing, studying and teaching – all while endeavouring to ensure I never miss any opportunity to participate in a ballet class myself. This means that I eat, breathe and sleep dance most days. Unsurprisingly, I have nothing but enthusiasm for World Ballet Day LIVE. The now-annual event brings balletomanes across the globe together, for one special day, to share in the sheer joy of watching professional ballet dancers do their thing.

The Australian Ballet, Bolshoi Ballet, The Royal Ballet, The National Ballet of Canada and San Francisco Ballet are the five leading companies opening up their studios to audiences during the 20 hours of non-stop broadcasting. Viewers will have the chance to observe each company’s morning ballet class; acquire insight into choreographic and rehearsal processes; hear from influential and inspiring industry insiders and discover more about ballet from incredibly talented individuals who have dedicated their lives to the art form.

 

World Ballet Day Live 2016.

 

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REVIEW: English National Ballet’s ‘Nutcracker’ – London Coliseum, January 2016

 

A flurry of sparkling snowflakes, a cascade of blossoming flowers and a colourful hot air balloon drifting skywards – English National Ballet’s Nutcracker proved the perfect antidote to a woefully wet and windy Saturday!

Christmas seems merely a dim and distant memory now that the sparkly decorations have come down and January has well and truly arrived. However, inside the London Coliseum theatre the magic of the Yuletide season lingers this weekend as the venue hosts the final performances in this run of the festive – and fantastical – ballet.

Wayne Eagling’s exuberant Nutcracker premièred in 2010 and is the tenth version to have been incorporated into English National Ballet’s repertoire since the Company was established in 1950. Of all the 19th Century ballets, Nutcracker is the one which is most often staged and interpreted in strikingly different ways. English National Ballet’s current production includes some wonderful moments which are full of timeless Christmas cheer and plenty of divine dancing.

 

Nutcracker. English National Ballet. Shiori Kase as Clara. Photo by Jason Bell.

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