Northern Ballet’s Victoria is an enthralling epic that intelligently and emotively chronicles Queen Victoria’s life as a monarch and mother.
Created to celebrate this year’s 200th anniversary of Queen Victoria’s birth, the ambitious two-act ballet is the impressive handiwork of acclaimed British choreographer Cathy Marston. Her spirited exploration of Victoria as a passionate woman, emblematic queen, working mother and stricken widow inventively depicts some of the most significant events in this remarkable Royal’s life.
Working alongside dramaturg Uzma Hameed, Marston has managed to condense Victoria’s lengthy reign (she spent 63 of her 81 years on the throne) into two hours of absorbing dance.
Revel in a royal visit when Northern Ballet brings its latest ambitious narrative ballet, Victoria, to Milton Keynes Theatre next week.
The title character is, of course, Queen Victoria and the production’s inaugural year in Northern Ballet’s repertoire coincides with the 200th anniversary of her birth.
Britain’s second-longest reigning monarch (her record was broken in 2015 by her great-great-granddaughter, Queen Elizabeth II) was famously “not amused”. Ironically, Victoria remains a figure of fascination and inspiration to the people who produce our entertainment today.
Northern Ballet’s take on The Little Mermaid is so immersive and beautiful that coming up for air during the interval is quite an abrupt reality check.
The return to dry land takes some getting used to because this absorbing and atmospheric two-act ballet sees theatregoers dive into the depths of a mesmerising tale following curious young mermaid Marilla. She lives in a mystical underwater world yet yearns to swim to the surface and experience the human realm. Surging waves of emotion crash over Marilla (and us!) as she falls hopelessly in love with a human prince, subsequently sacrificing her voice and life in the ocean for legs and an opportunity to be where the people are…
Based on Hans Christian Andersen’s original 1837 fairy tale, rather than the Disney retelling, Northern Ballet’s The Little Mermaid is choreographed by the company’s artistic director, David Nixon. It premiered in September 2017 at Southampton’s Mayflower Theatre and was one of a hat-trick of new productions created last year for Northern Ballet – the other two being Casanova and The Boy in the Striped Pyjamas. The Little Mermaid’s current visit to Milton Keynes Theatre is occurring at the tail-end of the world premiere tour (it swims off to Leicester next for its final run of performances) but will undoubtedly remain a firm favourite in the company’s repertoire, hopefully to be periodically revived.
Northern Ballet’s Swan Lake is overflowing with dance content and features a love triangle that makes the most of the Company’s premier dancers.
There is no definitive version of the iconic classical ballet so choreographers the world over endeavour to continue the history of this masterpiece in their own unique way. Set during the last days of the Belle Époque, Northern Ballet’s Swan Lake provides a no-nonsense rationale for the main character’s connection to water and, thanks to its focus on three close friends experiencing intense and passionate emotions for each other, plenty of opportunities for dramatic partnering.
An atmospheric Prologue functions as an absorbing mini drama, recounting the lakeside loss that drives David Nixon’s inventive narrative.