English National Ballet’s Le Corsaire is a treasure trove of colourful characters and virtuoso dancing. It’s the perfect antidote to the winter blues.
Based very loosely on an 1814 poem by Lord Byron, the narrative of this three-act ballet follows the escapades of a dashing pirate called Conrad and his enchantingly beautiful girlfriend Medora. When Medora is abducted by a slave trader, Conrad and his pirate crew set off on a valiant voyage to rescue her.
It’s an action-packed adventure with incredibly explosive dancing from the men. There are countless bravura leaps, spinning jumps and perpetual pirouettes. The entertainment factor is top-notch. Indeed, thanks to the pirate-themed plot and ballet tricks galore, high jinks on the high seas are guaranteed!
English National Ballet dances emotionally-charged choreography with seamless fluidity in Sir Kenneth MacMillan’s Manon, bringing dazzling decadence, drama and despair to the stage.
The late British choreographer’s intense romance is a classic narrative ballet that is rarely performed regionally. In fact, English National Ballet’s current revival and tour of this MacMillan masterpiece is quite an occasion as the company is presenting it outside London for only the second time in thirty years.
Despite being created in 1974, the three-act tragedy remains a paragon of adult, dramatic dance. Inspired by Abbé Prévost’s notorious 1731 French novel Manon Lescaut and danced to the music of Jules Massenet, MacMillan’s Manon is a balletic interpretation of one of the earliest imaginings of a femme fatale. It boasts meaty principal roles, bustling crowd scenes and enthralling pas de deux highlights; all of which push the boundaries of what ballet is, and should be, to unashamedly explore the darker side of the human condition.
If you love ballet, you won’t want to miss the opportunity to experience Manon – and if you don’t think ballet is for you, it’s even more important to give this powerful production a go.
A flurry of sparkling snowflakes, a cascade of blossoming flowers and a colourful hot air balloon drifting skywards – English National Ballet’s Nutcracker proved the perfect antidote to a woefully wet and windy Saturday!
Christmas seems merely a dim and distant memory now that the sparkly decorations have come down and January has well and truly arrived. However, inside the London Coliseum theatre the magic of the Yuletide season lingers this weekend as the venue hosts the final performances in this run of the festive – and fantastical – ballet.
Wayne Eagling’s exuberant Nutcracker premièred in 2010 and is the tenth version to have been incorporated into English National Ballet’s repertoire since the Company was established in 1950. Of all the 19th Century ballets, Nutcracker is the one which is most often staged and interpreted in strikingly different ways. English National Ballet’s current production includes some wonderful moments which are full of timeless Christmas cheer and plenty of divine dancing.