Dancer James Leece plays the title role in the stage show version of classic Christmas cartoon The Snowman.
Between performances and festive family fun, he found time for a chat about choreography, costumes and childhood nostalgia with Georgina Butler.
James Leece was born in Aberdeen and trained at The Royal Ballet School and London Studio Centre. He began his professional performing career dancing for Matthew Bourne’s company in the early days when it was called Adventures in Motion Pictures and continued when it became Matthew Bourne’s New Adventures. James has performed roles in Bourne’s Swan Lake, Nutcracker!, Highland Fling, Edward Scissorhands and The Car Man. Further theatre credits include being Robbie and first cover Johnny in the West End production of Dirty Dancing at the Aldwych Theatre, and starring as the leading man, Don Lockwood, in the 2013/2014 UK tour of Singin’ In The Rain.
Currently, James Leece is one of two performers alternating the title role in the Birmingham Repertory Theatre production of The Snowman at The Peacock Theatre, London dance house Sadler’s Wells’ West End venue. This enchanting show is based on the 1982 animated film, which was inspired by Raymond Briggs’ 1978 children’s book. The narrative sees a young boy and his snowman share a magical night of friendship, fun and flying.
Directed by Bill Alexander, the stage show tells the story entirely through music and dance. It features a musical score and lyrics by the film’s composer Howard Blake – including the classic theme song Walking in the Air – and choreography by Robert North.
The Snowman is now an annual seasonal staple in the capital. The five-week Christmas 2017 run marks the production’s 20th year at The Peacock Theatre, making it the longest-running Christmas show in English theatre history. In November 2017 the cast toured the show to Manchester and Glasgow. The tour will resume throughout January 2018, with performances in Southampton, Milton Keynes and Brighton.
Without a doubt, The Snowman has become a much-loved festive tradition for audiences and cast members alike. Indeed, James is presently donning the fluffy white Snowman suit for his sixth year in the title role. A father to two young children, and an experienced performer, he is full of admiration for this timeless show…
Contemporary tunes and a myriad of movement styles ensure Vincent Simone and Flavia Cacace’s Tango Moderno is an entertaining and easy to follow dance show.
It takes two to Tango – unless you are Flavia Cacace missing regular partner Vincent Simone. The former Strictly Come Dancing professionals’ new production (co-choreographed with director and choreographer Karen Bruce) uses the power and passion of well-executed dance to make a series of observations on modern life. Unfortunately, the dazzling duo are struggling to grace the stage together so far on the tour due to Vincent suffering with a recurrent injury.
Still, the show must go on and the always fabulous Flavia was partnered by not one but two stand-in dancers on opening night of Tango Moderno at Milton Keynes Theatre: Pasquale La Rocca and Leonel Di Cocco.
English National Ballet’s stunning new double bill Song of the Earth / La Sylphide embodies what I love most about dance: you can lose yourself in it and it makes you think.
The compelling Song of the Earth / La Sylphide programme is at Milton Keynes Theatre all week and ticketholders will not be disappointed. This is another unmissable offering from a company determined to ensure ballet evolves so it has relevance for audiences, today and in the future, while simultaneously paying tribute to its glorious history.
Juxtaposing Kenneth MacMillan’s breakthrough, avant-garde masterpiece, Song of the Earth, against the quintessential Romantic era ballet, La Sylphide, is an inspired expression of English National Ballet’s enduring mission. Seeing these two new additions to the company’s repertoire performed back-to-back affords us the opportunity to admire the scope of ballet as an art form and the versatility of the dancers.
English National Ballet’s artistic director and lead principal dancer Tamara Rojo talks to Georgina Butler about why the company’s new double bill has the potential to change your life…
Tamara Rojo is in no doubt that we need the arts in our lives – that is why she has devoted herself to the business of ballet dancing.
The Spanish ballerina danced with Scottish Ballet and English National Ballet early in her career, before moving to The Royal Ballet for twelve glittering years. Dedicated, ambitious and articulate, Tamara Rojo dreamt of not only dancing with a world-class company but also running one. This dream came true when she was appointed in the dual role of artistic director and lead principal dancer of English National Ballet in 2012. Upon starting the top management job, she initiated a rebranding process to sharpen the company’s identity as a distinctive troupe of incredibly versatile ballet dancers with something to say.
Five years later and the touring company, which endeavours to bring ballet of the highest quality to the widest possible audience, has found lots to say under Tamara’s leadership. It has developed collaborative relationships with exciting choreographers; confidently crossed into the realms of contemporary dance; staged new versions of old classics and made history as the first ever ballet company to perform on the Pyramid Stage at Glastonbury.
English National Ballet returns to Milton Keynes Theatre with a brand new double bill from Tuesday – and Tamara will perform a lead principal role. Unsurprisingly, keeping on top of her duties as artistic director and the demands made on her as a dancer keep Tamara extremely busy.
Happily, she still managed to find time for a chat…
English National Ballet is to make a much-anticipated return to Milton Keynes Theatre with an exciting new double bill next week.
When the dancers tour to the venue for their annual autumn visit, they will perform Sir Kenneth MacMillan’s masterpiece Song of the Earth alongside Frank Andersen’s faithful recreation of La Sylphide. Both works are recent additions to English National Ballet’s repertoire so audiences in Milton Keynes will be among the very first dance lovers to see them performed by the company.