Even Shakespeare’s cruel twists of fate are powerless to dampen the blazing passion of English National Ballet’s current Romeo & Juliet.
Undeniably the world’s greatest love story, the tragedy is eternally destined to be an audience-pleaser and Milton Keynes Theatre was packed on opening night for the touring revival of Rudolf Nureyev’s 1977 interpretation. Originally created for the Company in celebration of the Queen’s Silver Jubilee, this sumptuous production intensifies the tale of two star-crossed lovers by frequently emphasising the notion of human weakness; ominously accentuating the brutality of Renaissance Verona; and boldly challenging the dancers with demanding, multifaceted, choreography.
Contrasts command much clout in any Romeo & Juliet. The opposition of the two rival families. The hustle and bustle of the swarming marketplace juxtaposed against the serenity of the moonlit trysts in the garden and at the chapel. The differences between idealistic Romeo and passive Paris as they vie for Juliet’s attention. Still, what really stands out in this version is how the spectacle of impressive leaps, turns and lifts can be impeccably matched by the potency of far more natural human movement. A glance, a touch, a kiss. Nureyev’s staging manages to develop all of the characters and provide further insight into several relationships, balancing the brilliance and bravado of ballet with a depth of drama befitting of the Bard’s prose.
Theatregoers in Milton Keynes are in for such a treat this October as English National Ballet is bringing not one but two award-winning productions to the new city. Whether you are a dedicated dance fan or simply interested in enjoying a beautifully performed work of art, you will not want to miss out on seeing the Company during its autumn visit to Milton Keynes Theatre.
Artistic director Tamara Rojo is committed to showing that there is more to ballet than the tutu-clad ballerinas featured in the classics. As the driving force behind the Company and a prima ballerina herself, Tamara is intent on advancing the art form in order to keep it relevant, interesting and alive for future generations to enjoy. The reflective triple bill Lest We Forget is her first new commission for English National Ballet. Created to commemorate last year’s centenary of the First World War, this contemporary programme features the choreography of three of the most in-demand British dance-makers of today.
Romeo & Juliet is undeniably the world’s greatest love story. Rudolf Nureyev’s landmark production for English National Ballet was devised in 1977 to celebrate the Queen’s Silver Jubilee. It premièred at the London Coliseum on 2nd June 1977 and won the prestigious Olivier Award for Best Ballet Creation that year. The Company has since performed Nureyev’s production around the world (373 times!) to critical acclaim. Demonstrating the expressive artistry and explosive virtuosity of the Company’s dancers, Romeo & Juliet is a beloved masterpiece from English National Ballet’s repertoire which promises to prove popular with balletomanes and newcomers alike.
One of the world’s greatest love stories comes alive in spectacular style with English National Ballet’s in-the-round production of Romeo and Juliet.
This glorious interpretation of Shakespeare’s tale of warring families and thwarted young lovers is currently captivating crowds of spectators at the Royal Albert Hall. Created by choreographer Derek Deane, the production was first performed sixteen years ago when English National Ballet’s current artistic director, Tamara Rojo, was a young dancer in the Company. As Deane’s original Juliet back in 1998, Tamara is revisiting the role for some performances alongside her former dance partner Carlos Acosta, who joins the cast as a guest artist.
I was fortunate enough to see the young Russian principal dancer Vadim Muntagirov (who left English National Ballet to join The Royal Ballet in February 2014) return as a guest artist to partner the dazzling Daria Klimentová. Reunited as Romeo and Juliet for selected performances of this powerful ballet, Vadim and Daria are giving audiences the final chance to witness their perfect partnership before Daria also bids farewell to the Company. She will retire at the end of the run after 25 years as a professional dancer – 18 of which she has spent with English National Ballet – performing for the last time on Sunday (22nd June).