Mischief and mistaken identities make for much merriment in English National Ballet’s effervescent Coppélia.

There is plenty of fun to be had with this light-hearted ballet and Company dancers were in high spirits for the opening performance at the London Coliseum last night (23rd July 2014).

Yonah Acosta and Shiori Kase made their debuts in the lead roles as the tale’s bickering – though still smitten – lovers. Both newly promoted, with Yonah soaring from the rank of Junior Soloist to Principal and Shiori more modestly upgraded from Soloist to First Soloist, their infectious enthusiasm and pleasing partnership set the tone for an enchanting evening.

 

English National Ballet's 'Coppélia' (photo by David Jensen)

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Tamara Rojo tells Georgina Butler all about her new job, The Sleeping Beauty and what she loves to do when she isn’t dancing…

 

An enchanting fairytale comes to Milton Keynes Theatre this month when English National Ballet brings a sumptuous production of The Sleeping Beauty to the city.

This classical ballet company comprises 67 dancers and travels the country, bringing ballet to the masses. Ahead of the run at Milton Keynes Theatre, I was lucky enough to catch up with the talented Tamara Rojo – former principal with The Royal Ballet and new Artistic Director of English National Ballet – to learn more about her new job and what audiences have to look forward to.

Tamara Rojo is a Spanish prima ballerina, known for her strong dramatic sense, expressive musicality and powerful technique. Announced as English National Ballet’s new Artistic Director back in April, this autumn she formally takes on the top management position – becoming the driving force behind the company and its creative vision. Speaking to her, it is clear she possesses passion, brains and ambition, coupled with the grace and enduring ability to interpret any role that she demonstrates on stage.

 

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