Matthew Bourne’s incredible dance production of classic ballet film The Red Shoes is the perfect fit for his New Adventures troupe.
Every female dancer knows the right pair of pointe shoes can change your life but the crimson slippers at the heart of Michael Powell and Emeric Pressburger’s seminal 1948 motion picture take this sentiment to the extreme. Those red shoes are symbolic of a devoted young ballerina’s turmoil as she is forced to choose between the career she lives for and the man she loves.
The Academy Award-winning film is the quintessential backstage melodrama. Cinema and dance collide in the most spectacular style to depict an absorbing tale of obsession, ambition and jealousy. The characters are distinctive and dedicated to their art. The screen is ablaze in every scene with their desire to dance, make music and move audiences; as well as their passion for living and loving. The extraordinary extended ballet sequence blurs the line between reality and surreal fantasy…
I love the film. And I love that Bourne’s stage version is clearly his way of showing how much he loves it too.
Blockbuster choreographer Matthew Bourne’s contemporary ballet version of classic dance film The Red Shoes will enthral audiences at Milton Keynes Theatre next week.
The quintessential backstage melodrama tells an intoxicating story of obsession and possession, chronicling the tragedy of a ballerina whose intense desire to dance conflicts with her need for love.
Following a sold-out Christmas run at Sadler’s Wells, Bourne’s New Adventures company is bringing all the glamour of the 1948 British film to audiences beyond the capital on an extensive UK tour. Predictably, tickets have been selling exceptionally fast and extra dates have already been added.
Celebrated film-making duo Michael Powell and Emeric Pressburger combined glorious Technicolor wizardry with emotive and dramatic performances to create their seminal motion picture. An all-consuming love for the arts generally – and dance especially – is at the heart of The Red Shoes. Significantly, Powell and Pressburger devoted plenty of screen time to dancers, ensuring their cinematic ode to the agony and ecstasy of dancing is largely told through the medium of dance itself. No wonder Bourne decided the film was the ideal source material for his latest production.
Forget the glass slippers, ballet princesses wear pointe shoes…
Give a girl the right shoes and she can conquer the world. This is a particularly appropriate statement to attribute to the footwear of ballerinas. These dancers know that finding their perfect pair of pointe shoes is so much more important than shopping for killer heels!
Ballet technique is all about creating an impression of weightlessness and ease so, although the seemingly effortless grace audiences witness really does glide on blistered feet, a well-fitting pair of pointe shoes can make all the difference to a dancer’s performance. They are also a source of endless fascination for both dance devotees and the general public.
The battered pointe shoes of three of Britain’s most famous ballerinas are to be auctioned off this month. Moira Shearer, Dame Margot Fonteyn and Mary Honer were idols who inspired generations of dancers to train and perform. Their legacy is still alive among ballet students today, which makes the discovery of this collection all the more exciting.
Lots of dance on television makes for a cracker of a Christmas
Christmas makes its presence felt as soon as the BBC’s Strictly Come Dancing waltzes onto our television screens. When the sequin-covered participants take their first tentative steps onto the dance floor, I just know that the final quarter of the year will whizz by and, shortly, the winner will be lifting the coveted glitterball trophy, before the nation frantically finishes decking the halls.
Pantomime season means flocks of families visit the theatre for some festive cheer, while traditional productions of The Nutcracker (on stage and on screen) attract balletomanes and newcomers alike.
But, once cosseted in our homes for the celebratory period (whether just for the big day itself, or for an extended break), it is more often than not the television that we rely on for entertainment. Dance fans were spoilt for choice with plenty of telly treats this Christmas. If this time of year is all about indulging in what you enjoy, I certainly fulfilled the brief when it came to setting time aside to view some gorgeous productions.
Alina Somova in The Mariinsky Ballet’s 2011 production of The Nutcracker (photo by Valentin Baranovsky, sourced from SpectiCast.com)